Rosalía Contact Address, Phone Number, Whatsapp Number, Fanmail Address, Email ID, Website

How to contact Rosalía? Rosalía Contact Address, Email ID, Website, Phone Number, Fanmail Address


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Today I will tell you about HOW TO CONTACT ROSALÍA?

Originally from Barcelona, Rosaila is a Spanish singer-songwriter who performs in several genres. Her modern renditions of flamenco music propelled her to prominence, and she was praised for it. Five Latin Grammy Awards and a Grammy Award are among the many honors she has garnered. In this bio, you will learn more about Rosala’s Wikipedia page as well as her biographical information such as age, height, and weight, as well as her boyfriend and body measurements as well as her net worth, family, and career.5.05 meters (165 cm) or 1.65 meters (165 cm) in height, is her height. She has a bodyweight of around 55 kg (121 pounds). Her eyes and hair are both a stunning shade of black. Her bodily dimensions are 33-26-36 inches in length, breadth, and height.

Bra cup size 32 C is what she is now sporting. Moreover, she is a health and fitness nut. With her heavy-lidded stare concentrated on the camera, she regularly flaunted her flat tummy. It was at the age of 16 that she started her formal musical training. Although she was not picked for the television program T’s que vales, she competed for the show at the age of 15. In the year 2019, she was nominated for two Grammy Awards. In 2016, she released the single “Antes de Morirme,” which featured Spanish rapper and ex-boyfriend C. Tangana. Among the Andalusian and Romani communities, Rosala has been accused of cultural appropriation on a number of occasions. Rosalia is the central figure in the first tidal wave of Spanish worldwide artists to hit the world in the twenty-first century.

She considers herself to be a feminist. While imprisoned in Miami, she played at a number of small virtual benefit concerts, such as “Se Agradece,” which took place during COVID-19. She is active on social media sites, where she has amassed a large number of followers. On Monday night, Lorde performed a cover of Rosala’s song “Hentai” in New York’s Radio City Music Hall, and Rosalia gave her a hearty thumbs-up for her rendition of the song on her Instagram story. The song is taken from Rosala’s inventive recent album, “Motomami,” which has received overwhelmingly positive reviews from critics, notably from Variety magazine. Rosalia posted a video of Lorde’s performance on her Instagram Story early Tuesday morning, captioning it with the words “Lorde muy bonitaaaaa” [Lorde, how lovely].

According to the NME, Lorde gushed over “Motomami” in a recent letter to fans, which was published online. “I’ve been listening to the Rosala album on repeat every day since it came out, fuck, it’s so wonderful,” she posted on her Instagram account. “I almost choked when I heard the interpolation of ‘Archangel,’ ‘Hentai,’ and ‘Sakura…'” “I nearly choked when I heard the interpolation of ‘Archangel,’ ‘Hentai,’ and ‘Sakura…'” Projects like this serve as a reminder of why I love pop music so much – when it’s at its finest, there’s nothing better.”Lorde will be on tour in North America until the beginning of May, after which she will go to the United Kingdom and Europe for summer performances before returning to the United States in August.Rosalia announced on Monday a massive global tour that would get out with a dozen shows in her home country of Spain in July and then go to Europe, North, and Latin America, and the Caribbean through December.

“Motomami,” Rosalia’s third studio album, was praised by Variety as “as musically creative an album as we’ve heard in the last year.” On this album, she delivers on all of the promise and creativity that those previous records hinted at, as well as a whole lot more, while still keeping the sound firmly anchored in her gorgeous voice (and singing entirely in Spanish). There have been many songs and albums that are typically in this innovative-pop-and-hip-hop lane, but it’s difficult to think of any that are centered around such a jaw-droppingly brilliant vocalist.” “It’s hard to think of any that are based around such a jaw-droppingly amazing singer.”During the first of two nights at Radio City Music Hall for the New York legs of her Solar Power tour, Lorde performed a cover of Rosala’s explicitly sex-positive song “Hentai,” which can be found on her current album Motomami. The song is from Rosala’s latest album Motomami, which is out now.

As Lorde recently said in an email to her fans, “I’ve listened to the Rosala album every day since it came out, fuck, it’s so fantastic, I gagged when I heard that interpolation of Archangel,” “Hentai’ is brilliant,’ “Sakura,” and other songs by Motomami. Projects like these serve to remind me why I love pop music so much – when it’s at its greatest, there’s nothing else like it.”Because of a case of laryngitis, Lorde had to postpone both the Connecticut and Washington, D.C., dates on her tour. The dreamy tune provided her with all the space she needed to produce a performance with no effort.In promotion of her second album Melodrama, Lorde embarked on a tour that saw her perform a series of local covers in several cities, including Toronto, where she sang Drake’s “Shot for Me” and Chicago, where she performed Kanye West’s “Love Lockdown.” For Solar Power, the majority of the shows on her tour have been complete of songs from her own catalog.

The tour will begin on September 15 at MGM Music Hall at Fenway Park in Boston and conclude on October 22 with a performance at the iii Points Festival in Miami, according to a press release. Rosala will also perform in Washington, D.C., Chicago, Toronto, Atlanta, and Houston, as well as two-night performances at Radio City Music Hall in New York City and the YouTube Theater in Los Angeles. Rosala will also perform in Washington, D.C., Chicago, Toronto, Atlanta, and Houston. Rosala’s Motomami tour will feature performances in her native nation of Spain, as well as in South America, the Caribbean, and Europe. In addition to the North American leg, the tour will include performances throughout Europe. Tickets will go on sale on Friday, April 22, at 10 a.m. local time, via the venue’s website. “I’ve always considered myself to be a storyteller,” she went on to say. Motomami is the most intimate narrative I’ve ever shared with anybody. Motomami makes sense to me as a notion, as a female person who is constructing herself in my mind. In other words, when an artist creates a self-portrait in the context of the contemporary world, it’s nearly like creating a self-portrait.”

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“Hentai,” a quiet and heartbreaking ballad — at least, that’s what it starts off as — that arrives roughly a third of the way through Rosala’s sparkling new album “Motomami,” gives you a decent feel of what she’s up to throughout the 16-track “Motomami.”
The 29-year-old Spanish pop phenom sings in a high, trilling voice that evokes memories of Edith Piaf as she traces a shapely ascending vocal melody over gently ringing piano chords; eventually, a swooning string arrangement flickers to life behind her, lending the song a sort of wistful classic-Hollywood flair.

In contrast to these delicate sounds, the title of “Hentai” alludes to a totally different style of cinema — especially, erotica in Japan’s brilliantly colored anime tradition — and the song’s lyrics express physical pleasure in a far more vivid way than we’ve been used to hearing: When she sings in Spanish, she describes her desire to ride her boyfriend “like I ride my bike” before thinking that a section of her lover’s anatomy “has a diamond on the tip,” which she imagines is true. As soon as it happens, an inexplicably juddering drum-machine rhythm bursts into the production, ripping away “Hentai’s” feeling of refined calm but crucially maintaining its air of yearning desire.

In this song, there is no “bait and switch,” but Rosala’s premise seems to be that sex, even (or particularly) when it’s at its most hungry, is deserving of the high-flying treatment that pop music usually saves for romance.” I whipped it until it was stiff,” she sings softly, drums jackhammering around her as she sets out her life’s priorities: “I whipped it till it was stiff,” she says of her whipped chicken. It goes like this: “In the second place, you f—ing moron / First and first, God.” She worked with a variety of artists from around the world (including the Weeknd and Pharrell Williams), including Q-Tip and James Blake. She also worked with her longtime studio partner El Guincho and the trailblazing Puerto Rican producer Tainy on her new album, which was recorded in locations such as Los Angeles, Barcelona, and the Dominican Republic.

When it comes to questioning established cultural borders, “Motomami” is a must-have; the LP, which is Rosala’s third release, brandishes moments of rupture, discord, and collision to suggest a contemporary world that challenges — but yet take comfort in — traditional folkways. Her gleaming, ice-pick-sharp songs, which blend reggaeton, hip-hop, bachata, R&B, and jazz (to name a few of the styles at her disposal), make improbable connections with little concern for whether the seams are visible; in fact, the seams may be the point of her work in an era when assimilation has lost its luster as a social ideal, she may be attempting to expose them.

Using the Grammy-winning album “El Mal Querer,” Rosala earned a name for herself by remaking flamenco music with electronic textures in addition to the traditional instruments of the genre, such as the acoustic guitar and hand percussion. The years after the release of the album saw her perform at Coachella and hang out with Kylie Jenner; she starred in the video for Cardi B and Megan Thee Stallion’s “WAP,” and she collaborated on tracks with J Balvin, Billi Eilish, and Travis Scott. It is not usually with the chuckling joy that Rosala exhibits in her many TikTok videos that she traces her meteoric rise to musical success on “Motomami.”

In the dramatic “La Fama,” she describes fame as “a lousy lover” and a “backstabber who comes as easily as she goes.” In “Bulerias,” the only track on the album that is explicitly flamenco-inspired, she recounts the arduous work that goes into maintaining one’s celebrity status: “To keep standing on my feet, I killed myself 24/7.”The fact that she was isolated from her family during the pandemic made the voyage that much more difficult to bear. As “G3 N15” plays, she addresses a young relative whose eye color she can’t recall, as well as another whose hobbies — “races, space ships, or sailboats” — have become hazy in her memory as the music progresses. It’s a painful revelation that is made all the more poignant by the addition of a voice message from her grandmother, who expresses her sentiments about the value of family in her own words.

Rosala’s personal life has undoubtedly suffered as a result of her celebrity, but her creative career has undoubtedly benefited as a result of her renown. It’s almost as if “Motomami” throbs with the creative freedom of someone who has a lot of money; its stylistic sprawl is reminiscent of Beyoncé’s “Lemonade,” and the album’s mix of harsh noise and sculpted pop melody is reminiscent of the music M.I.A. made after her song “Paper Planes” became a surprise hit in the late 2000s.A sample from a Burial song (which in turn samples a Ray J track) is threaded into a clattering reggaeton rhythm in her mesmerizing song “Candy,” which is about a breakup with someone who “broke me but just for a short while.”

A playground-style chant is used by “Chicken Teriyaki,” who boasts of purchasing “a chain that’ll break the bank like Naomi in the ’90s” while shopping for “a chain that’ll break the bank.” A furious spray of machine-gun percussion heralds the arrival of “Cuuuuuuute,” a 61-second blast of pure cool-kid swagger anchored by a bouncy rhythm that sounds like it was created in part by Pharrell. The song “Hentai” isn’t the only time that the album’s vocals are included. The album also includes a cover of the old Cuban ballad “Delirio de Grandeza,” which Rosala embellishes with a scratchy Soulja Boy sample — because, why not? — to great effect. Lastly, there’s the stripped-down finale, “Sakura,” in which she imagines herself at the age of 80, looking back fondly on her days as a pop star.

Rosalía Fan Mail address:

William Morris Endeavor Entertainment
9601 Wilshire Blvd.
3rd Floor
Beverly Hills, CA 90210-5213

(1)Full Name: Rosalía

(2)Nickname: Rosalía

(3)Born: 25 September 1993 (age 28 years), Sant Cugat del Vallès, Spain

(4)Father: José Manuel Vila

(5)Mother: Pilar Tobella

(6)Sister: Pilar Vila Tobella

(7)Brother: Not Available

(8)Marital Status: Unmarried

(9)Profession: Singer-Songwriter

(10)Birth Sign: Libra

(11)Nationality: Spanish

(12)Religion: Not Available

(13)Height: Not Available

(14)School: Not Available

(15)Highest Qualifications: Taller de Músics

(16)Hobbies: Not Available

(17)Address: Sant Cugat del Vallès, Spain

(18)Contact Number: Not Available

(19)Email ID: Not Available




(23)Youtube Channel: Not Available

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