How to contact Aphex Twin? Aphex Twin Contact Address, Email ID, Website, Phone Number, Fanmail Address
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RDJ is one of the most innovative musicians to emerge from the United Kingdom in recent memory. Being the son of Welsh immigrants from Limerick and the son of English parents in Cornwall has shaped his musical style and infused it liberally with his own unique sense of whimsy. As Aphex Twin, Caustic Window, Polygon Window, and AFX, to mention a few of his stage names, he has traversed the different permutations of pop-oriented electronic music, melded together components from each, and given us a glimpse into the vast and magnificent interior worlds of his mind.
In 1997, his film “Come To Daddy,” directed by Chris Cunningham, had his disfigured face grafted over the features of crazy children rushing through a rundown housing project, which created controversy. When the general public first became aware of this musical phenomenon, that was the turning point in its history. To this day, he is one of the few pop performers to routinely collaborate with Western classical composers like Philip Glass and Gavin Bryars.
Aphex Twin is the stage name of electronic musician and composer Richard David James. Most of his tunes were made using ancient computer software compared to today’s modern synthesisers, which have been recognised by several reviewers. Richard David James was born on August 18, 1971, in Limerick, Ireland as Richard David James. His family relocated to a small town in Cornwall, England, when he was a child.
Later in his career, James opened up a lot about his upbringing. He claimed that his parents were never a hindrance to his curiosity and experimenting because they always let him to do what he wanted. As a result of his experiments, he was able to compose an entire track on the Sinclair ZX81, a tiny home computer. After messing around with the ZX81’s code for rerouting television signals, James found that the device created a “strange sound” while doing so.
In 1990, James graduated with honours from Cornwall College with an engineering diploma. He could now use electronic equipment to create music with complete confidence, thanks to this certificate. James used to work as a DJ at the Bowgie Pub a lot during his undergraduate years. He teamed up with Wilson-Claridge, a fellow DJ from the pub, to form a duo. First, Aphex Twin collaborated with Wilson-Claridge to make numerous albums, including analogue bubblebath, which got national radio attention. As part of his partnership with Wilson-Claridge, James also utilised stage names such as ‘AFX’ and ‘Bradley Strider’. If you’re looking for his best album, Aphex Twin published ‘Selected Ambient Works 85-92’.
‘The Rolling Stones’ and ‘Pitchfork Media’ were among the publications that have praised this album. According to FACT Magazine, it was “the greatest record of this decade.” Following the release of ‘Analogue Bubblebath 3’ and ‘I care because you do,’ the artist released additional albums and singles. In his later recordings, such as ‘Come to Daddy’ and ‘Windowlicker,’ he began to use the synthesiser more frequently. James has been working on the Analord series since 2004, releasing 11 albums with four tracks each.
Richard James is extremely concerned about how his music is received by his listeners. He ensures that DJs and electronic music fans alike may enjoy his songs. According to the recording label Reflex Records, which James founded in partnership with Wilson-Claridge, “Braindance is a genre that includes the best components of all genres,” hinting at James’ musical talent and variety, the label coined the term “braindance.” Delia Derbyshire, Brian Eno, and Karlheinz Stockhausen are among James’ musical influences. Because his music was considered to be “ahead of its own time,” some critics say he had the misfortune of being born in the 1970s.
For electronic music, Richard D. James, better known by his stage name Aphex Twin, is one of the most acclaimed and influential artists ever. To date, James has been pushing the boundaries of what can be done with electronic equipment, resulting in forward-thinking, emotionally engaging work that ranges from sublime, pastoral ambience (Selected Ambient Works 85-92 and its 1994 followup) to manic headrush acid techno (the Digeridoo EP, released in 1992) While most artists who emerged from the ’90s techno scene were anonymous, Richard D. James established himself as a genuine personality, known as much for his nightmare-inducing music videos (such as 1997’s “Come to Daddy” and 1999’s “Windowlicker”) as for his groundbreaking albums and EPs (such as 1995’s I Care Because You Do and 1996’s Richard D. James Album).
Because of this, his following base expanded beyond electronic musicians and into the rock community, where he was cited as an inspiration by many performers outside of the electronic genre. It was through television and movies that his piano work “Avril 14th” (from the divisive 2001 album Drukqs) began to take on a life of its own. When Aphex Twin released Syro and Collapse in 2014 and 2018, they were preceded by extensive promotional campaigns incorporating blimps and billboards across key cities with the distinctive Aphex Twin logo.
When James was a child growing up in Cornwall, England, he began disassembling electronic equipment. Selected Ambient Works 85-92 comprises recordings made at the age of 14 (if the title is to be believed). James started DJing raves around Cornwall in the late ’80s after being inspired by acid house. With Tom Middleton (who co-produced the hardcore track “En Trance to Exit”), he recorded the Analogue Bubblebath EP in September 1991 and released on the Mighty Force label. Following Middleton’s departure, James recorded a second volume in the Analogue Bubblebath series.
On London pirate radio station Kiss FM, this EP (which included “Digeridoo”) received some playing and inspired R&S Records to sign him early next year. “Digeridoo” was re-released in April 1992, and James followed with the Xylem Tube EP in June of the same year. His own Rephlex label, which he co-founded with Grant Wilson-Claridge at the same time, issued singles under the name Caustic Window from 1992 to 1993. Most of the recordings retained the icy acid precision of “Digeridoo”—though many displayed humour and fragility hardly dreamed of in the hardcore/rave movement up to that moment.
In the early ’90s, the climate for “intelligent” techno had begun to warm. After The Orb’s hit single “Blue Room” showed that ambient house could be commercially successful, R&S started an ambient subgenre dubbed Apollo. His full-length debut, Selected Ambient Works 85-92, was released in November 1992 and featured primarily recordings made at James’ home studio over the previous few years.
Ambient techno’s second masterpiece after the Orb’s Adventures Beyond the Ultraworld, to put it mildly. The Cure, Jesus Jones, Meat Beat Manifesto, and St. Etienne were among the bands who asked him to remix their music as his fame grew, and he obliged, resulting in largely unrecognisable remixes.
The Warp Records label signed Richard James in the early ’90s. Warp Records was a key player in the development of ambient techno artists including Black Dog, Autechre, B12, and FUSE (aka Richie Hawtin). Polygon Window captured James’ release in the series, Surfing on Sine Waves, which was released in January 1993. James’ nosebleed techno strength met the restrained minimalism of Selected Ambient Works on this album.
Surfing on Sine Waves was given an American release (James’ first) before the summer thanks to an agreement between Warp and TVT. Analogue Bubblebath 3 was released on Rephlex later that year. Recorded as AFX, it was Aphex Twin’s most bracing effort to date and repudiated any obligation to ambient music. Later that year, while on tour with Orbital and Moby, James clung to the headbanging material at the expense of the majority of his priceless gear. He later slashed his live appearances.
James had his highest chart position to date in December 1993 with the release of his new single “On,” peaking at number 32 in the UK singles chart. Tom Middleton (as Reload) and -Ziq (as a future Rephlex star) contributed remixes to the two-part track (Michael Paradinas). Selected Ambient Works, Vol. II appeared to be a joke on the ambient techno community despite James’ debut in the pop charts. The triple LP was so basic as to be hardly conscious, leaving behind only tape loops of unnerving ambient noise.
James was signed to a major-label American contract with Sire immediately after the success of the album in the UK. When he joined Rephlex in 1994, he signed a number of artists to the label, including -Ziq, Kosmik Kommando (Mike Dred), and Kinesthesia/Cylob. The fourth Analogue Bubblebath, a five-track EP, was released in August 1994. As the year began, he released a compilation of his R&S hits in the form of Classics in January.
When James published “Ventolin” two months after that, it was an uncompromising homage to the asthma medication that had become his lifeline. After the release of I Care Because You Do in April, he incorporated more symphonic ambient material, aligned with the work of several post-classical artists, including Philip Glass, who created an orchestral version of the album’s “Icct Hedral” on the single Donkey Rhubarb in August 1995.
Aphex Twin Fan Mail address:
Aphex Twin
Limerick, Ireland
(1)Full Name: Aphex Twin
(2)Nickname: Aphex Twin
(3)Born: 18 August 1971 (age 50 years), Limerick, Ireland
(4)Father: Lorna James
(5)Mother: Derek James
(6)Sister: Not Available
(7)Brother: Not Available
(8)Marital Status: Unmarried
(9)Profession: musician
(10)Birth Sign: Leo
(11)Nationality: American
(12)Religion: Not Available
(13)Height: 1.88 m
(14)School: Not Available
(15)Highest Qualifications: Not Available
(16)Hobbies: Not Available
(17)Address: Limerick, Ireland
(18)Contact Number: Not Available
(19)Email ID: Not Available
(20)Facebook: https://www.facebook.com/aphextwinafx
(21)Twitter: https://twitter.com/aphextwin
(22)Instagram: Not Available
(23)Youtube Channel: https://www.youtube.com/channel/UC4hfA78X-lqiRERBZLTnLBw
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