How to contact Benjamin Millepied? Benjamin Millepied Contact Address, Email ID, Website, Phone Number, Fanmail Address
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French dancer and choreographer Benjamin Millepied (born June 10, 1977, Bordeaux, France) began his career as a principal dancer with the New York City Ballet (NYCB) in 2002 and went on to become the director of dance at the Paris Opéra Ballet (2014–16) before moving to New York City Ballet (NYCB).
He was the son of a decathlete who also happened to be a dance instructor. Initially, under the instruction of his mother, he started his contemporary dance training when he was eight years old. He began studying ballet at the Conservatoire National Supérieur de Musique et Danse de Lyon when he was 13 years old, and he has not looked back since. Following a summer program at the School of American Ballet, which serves as the training school for the New York City Ballet, he was awarded a scholarship to study full-time at the NYCB the following year. While still a student, he created the main character in Jerome Robbins’s 2 & 3 Part Inventions, in which he played the title role.
Millepied was asked to join the New York City Ballet in 1995. He rapidly established himself as a soloist, and in 1998 he was elevated to principal dancer, where he remains now. As a dancer, he has performed in ballets by Peter Martins and Christopher Wheeldon and has received critical acclaim for his performances in George Balanchine classics. Millepied started producing his own dance in 2001, most notably Clapping Music (2002), which was set to the rhythmic applause of a theatre audience.
He continued to ascend in the ballet industry, choreographing for companies all over the globe, including the American Ballet Theatre and the Metropolitan Opera (both in New York City), the Opéra Ballet of Paris, and the Mariinsky Ballet of St. Petersburg. The following year, he was appointed choreographer-in-residence at the Baryshnikov Arts Center in New York City, where he created the solo piece Years Later for ballet legend Mikhail Baryshnikov. Millepied’s choreography for the ballet thriller Black Swan (2010), directed by Darren Aronofsky, catapulted him into the public eye; he also had a brief part in the film. During the course of the production, he got romantically connected with actress Natalie Portman (with whom he subsequently married), which only helped to increase his public status.
Millepied announced his permanent retirement from dancing in 2011 and relocated to Los Angeles to concentrate his energies on choreography. In Los Angeles, he launched the L.A. Dance Project, an experimental dance group that was developed to add to the growing dance culture in the city. The firm established a reputation for itself via its inventive efforts, which took the corporation in new and even risky ways. The Paris Opéra Ballet, one of the world’s most famous classical troupes, chose Millepied to replace Brigitte Lefèvre as its director of dance in 2013.
Millepied has been with the company since 2003. It was anticipated that Millepied, known for his innovative choreography as well as his ability to converse with art patrons, would be able to re-energize the traditionally closed-off Paris Opéra Ballet. Following his appointment to the position in October 2014, he implemented a number of reforms. He significantly raised fund-raising efforts and significantly improved the company’s social media presence. In addition, he wished to make the group more diversified in terms of race. Millepied, on the other hand, announced in February 2016 that he would be stepping down at the end of July. He stated his dissatisfaction with the Paris Opéra Ballet’s reluctance to evolve, while others argued that he failed to uphold the company’s traditions in his performance.
Choreography is the art of producing and organizing dances; it is also known as dance composition. The term comes from the Greek words for “dance” and “write,” respectively. In the 17th and 18th centuries, it did, in fact, refer to the written documentation of a dance performance. However, over the nineteenth and twentieth centuries, the meaning of the term changed, although erroneously and generally, and the written record became known as dance notation.
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Following that, a quick discussion on choreography will take place. See dancing: Choreography and dance, Western for a more in-depth examination.
The composition of dance is as creative as the creation of music in the same manner that the composition of music is. While dance notation is a work of analysis and reporting, it is often done by persons other than the choreographer and in a language or signs that are not always understood by the choreographer.
Italian dance instructors such as Domenico da Piacenza, who taught social dances at the court throughout the Renaissance, may have begun to compose new dances or arrange versions of existing dances, thereby integrating a creative role with their instructional functions. Unlike social dancing, staged ballet used the same steps and moves as it did, but varied from it primarily in the floor layout and visual presentation.
The ballet de cour was created in the 16th century by dancing masters at the French court who ordered the floor patterns and dramatic and aesthetic settings of their social dances in such a way that it became the first choreographic genre. With each passing century, the divide between social dancing and theatrical dancing became further, until ballet, in the nineteenth century, developed a largely autonomous language.
The choreographer, who was the ballet master of this age, was an organizer of dance as a kind of theatrical art. Jean-Georges Noverre was a titan of late-eighteenth-century choreographic art, whose work and writings established the dramatic ballet, also known as ballet d’action, as a famous form of performance art. Ballet used mime as well as academic dances in this production, which allowed the dance to be expressed via a narrative and theatrical setting. The development of this trend continued after Noverre and his contemporary Gasparo Angiolini, with Jean Dauberval being particularly notable for his realistic depiction of contemporary country folk, Charles Didelot for his move toward Romantic stage illusion and fantasy, and Salvatore Vigano for his dramatic use of the ensemble (choreodramma) and the naturalness of tragic gesture.
Ballet, as defined by masters such as Carlo Blasis, was used primarily by choreographers of the Romantic movement in the ballet d’action theatrical forms of Noverre’s day or in opera divertissements (balletic interludes). It was the ballerina, whose significance was enhanced by the newly devised pointework (a posture of balance on the extreme tip of the toe), as well as the female corps de ballet, who rose to prominence. August Bournonville in Copenhagen, Jules Perrot, particularly in London and St. Petersburg, and Marius Petipa, who in St. Petersburg brought the spectacular classical ballet d’action to its zenith with works such as The Sleeping Beauty, in which extended and complex suites of classical dance brought poetic and metaphorical expression to the plot, were the choreographers who best developed the art of theatrical dance narrative.
Early modern dance in the United States offered new components of movement and emotion, while Michel Fokine’s work in ballet stressed more realistic approaches and a more forceful theatrical image than Petipa’s ballet classicism. Choreographic forms have evolved since then, oscillating between the extremes of depiction and abstraction.
Benjamin Millepied Fan Mail address:
(1)Full Name: Benjamin Millepied
(2)Nickname: Benjamin Millepied
(3)Born: 10 June 1977 (age 44 years), Bordeaux, France
(4)Father: Denys Millepied
(5)Mother: Catherine Millepied-Flory
(6)Sister: Not Available
(7)Brother: Not Available
(8)Marital Status: Married
(10)Birth Sign: Gemini
(12)Religion: Not Available
(13)Height: Not Available
(15)Highest Qualifications: Higher National Diploma
(16)Hobbies: Not Available
(17)Address: Bordeaux, France
(18)Contact Number: Not Available
(19)Email ID: Not Available
(20)Facebook: Not Available
(23)Youtube Channel: Not Available
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