John Waters Contact Address, Phone Number, Whatsapp Number, Fanmail Address, Email ID, Website

john waters fanmail address

How to contact John Waters? John Waters Contact Address, Email ID, Website, Phone Number, Fanmail Address

Hello friends! Are you a follower of John Waters? Are you searching on google for How to contact John Waters? What is John Waters’s WhatsApp number, contact number, or email ID? What are John Waters’s hometown and citizenship address? What is John Waters’s Facebook, Twitter, or Instagram ID?

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Today I will tell you about HOW TO CONTACT JOHN WATERS?

He is a filmmaker of quirky and unorthodox films, John Samuel Waters Jr. His sense of flair and originality set him apart from the rest of mainstream cinema, and he hasn’t shied away from pushing the envelope on occasion. He’s made some outstanding films like “Pink Flamingos,” “Hairspray,” “Cry Baby,” and “Pecker,” among many others. Throughout his career, his films have been known for their over-the-top exaggeration and exaggerated portrayal of character traits. Nothing about him was ever regular. He had an eye for the macabre. During his adolescent years, Waters began filming and screening his films in Baltimore for an underground audience, which is when he first began depicting violence in his work.

He isn’t simply a great filmmaker, he’s also been in a few movies and hosted a few TV series. Waters is also a bookworm, and he has a large library. Some of his films, such as “Hairspray” and “Cry Baby,” have been adapted for the stage, and he was recognized with the Filmmaker on the Edge Award at the Provincetown International Film Festival in 1999. Aside from making films and displaying his artwork and installations, Waters has spent his entire life to bringing some of his most outlandish ideas to life, such as hitchhiking across the United States. Waters has written books like “Shock Value: A Tasteful Book about Bad Taste,” “Crackpot: The Obsessions of John Waters,” and “Change of Life” because of his outspoken eccentricity.

Patricia Ann and John Samuel Waters gave birth to John Waters on April 22, 1946, in Baltimore, Maryland. His father was a fire-protection equipment manufacturer, and the family was from the upper middle class. Lutherville, a Baltimore suburb where he grew up, is where he calls home. Roman Catholicism was the religion of choice for the family. He attended Calvert Hall College High School and graduated from the Boy’s Latin School in Maryland, both in Baltimore. When Waters was a child, he was enthralled with movies.

After watching the film “Lili” when he was seven years old, he had a deep appreciation for puppets. He had a reputation for being violent and gloomy from the time he was a toddler. He used to do violent ‘Punch and Judy’ reimaginations at children’s birthday celebrations. When he was a teenager, his grandmother gave him his first 8mm film camera as a birthday present. When he was younger, he used to go to the local drive-ins and view adult-only movies through his binoculars.

Like Waters, many of his close pals were drawn to the avant-garde aesthetic of counter culture art. They were anti-establishment figures who, in Baltimore in the 1960s, began making silent 8mm and 16mm films together. In a Baltimore church, these films were shown to an underground audience. Many of the viewers came in as a result of street leafleting and word-of-mouth advertising.

Slowly but surely, both his filmmaking technique and the subjects he chose for his films began to mature and become more refined. As a result, his underground screenings drew an increasingly diverse and youthful audience. One of the earliest films that Waters ever made is called “Hag in a Black Leather Jacket,” and it was originally shown only once in the Beatnik Coffee House, but later on it was included in a traveling exhibition of Waters’ photography.

Waters enrolled in New York University in 1966 but dropped out after just one semester due to a lack of interest. It was his belief that the type of art and creativity he favored was diametrically opposed to what was valued at NYU. Waters and his companions were kicked out of NYU just a few days after they arrived for marijuana possession charges.

Short films like: ‘Roman Candles’ and “Eat Your Makeup” were made in Baltimore after Waters was expelled from New York University. Films like “Mondo Trasho” and “Multiple Maniacs” were among his later, longer works. Glenn Milstead, better known by his stage name Divine, was the star of his experimental films.

‘Pink Flamingos’ was Waters’ first formal hit. A lot of people have claimed that the movie pushed the boundaries of decency and depicted characters in excessive ways. It was full of exaggerated circumstances and rhetoric that was far removed from reality. In all of his films, this was the central theme. The film’s climactic sequence is famed for seeing Divine, the movie’s star, swallowing dog poo.

In 1981, Waters made a shift from a more experimental approach to filmmaking to a more conventional one. Divine and Tab Hunter acted in his first mainstream film, ‘Polyester,’ which was released the same year. After ‘Polyester,’ Waters made a number of mainstream films, including: ‘Hairspray (1988), ‘Cry-Baby (1990), ‘Serial Mom (1994), ‘Pecker (1998), and ‘Cecil B. Demented (2000).’. Despite adhering to the conventions of mainstream commercial cinema, these films retained a distinct sense of Waters’ trademark surrealist weirdness.

‘A Dirty Shame’, featuring Johnny Knoxville, was released by Waters in 2004 and depicted his conflict-ridden creative labor. Later that year, he made a brief appearance in two other films, one of which featured him as a character named ‘Pete Peters,’ in “Jackass Number Two.” In 2007, he was the host of the Court TV drama ‘Til Death Do Us Part,’ which depicted a marriage that ended in murder.

Johnny Knoxville and Parker Posey were cast in the film called “Fruitcake,” which was filmed in 2008. When he couldn’t afford the anticipated $5 million price tag, he put the project on hold. To profit from the idea, he sold it to an independent film-making firm. However, due to the closure of the company, the film was never made.

This past year, the Marianne Boesky and Gagosian Galleries in New York and Los Angeles hosted a joint exhibition of Waters’ photo-based installation work titled “Rear Projection”. As a fine artist, he’s been creating since the 1990s, and his work has been shown all around the world since then. In 2009, he displayed ‘Rush,’ a famous comedic work of art.

Waters finished a side project of his in the last few of years. He was on his way from Baltimore to San Francisco via hitchhiking throughout the United States. He intends to write a book based on his experiences. ‘Carsick’ is the book’s working title. The Maryland Councilman Brett Bidle, indie rock band Here We Go Magic, and others picked him up when he was hitchhiking. His interest in dark and disturbing things goes back to his childhood. First, there’s the blood-spattered car seat from the yard sale that got him thinking about horrible vehicle accidents.

He claims to have evil thoughts, but he swears he doesn’t act on them. He insists that he and his life are fundamentally distinct from the characters in his films.

Director, comedian, and art connoisseur Adam Sandler receives 80 magazines per month. With over 80,000 titles under his belt, his library is quite the sight to behold. In 2007, John Travolta starred in a new version of his Broadway musical, “Hairspray.” Cry Baby has also been adapted for the stage, this time as a musical.

Rainer Werner Fassbinder, Herschell Gordon Lewis, Federico Fellini, William Castle, and Ingmar Bergman are a few of the filmmakers who have influenced him creatively. The film “The Wizard of Oz” has also had a profound impact on him. As a child in Baltimore in the 1950s, John Waters was captivated with violence and gore, both real and on the screen. Films he made in the mid-’60s with the help of his odd counter-culture buddies were screened in rented Baltimore church halls by word of mouth and street-leafleting campaigns.

He drew in larger crowds and sparked more controversy in the Baltimore press as his filmmaking improved and the themes he explored became more disturbing. Through sheer determination, he began making films in the early 1970s and had them presented at midnight in art theatres. Divine’s famed dog poop-eating sequence helped Pink Flamingos (1972) become popular in 1973 – a purposeful exercise in hyper foul taste.

Even if his films today appear more polished and polished, they preserve Waters’ fun and represent his longtime interests, even if they appear more polished.

John Waters Fan Mail address:

John Waters
Atomic Books
3620 Falls Rd.
Baltimore, MD 21211

(1)Full Name: John Waters

(2)Nickname: John Waters

(3)Born: 22 April 1946 (age 76 years), Baltimore, Maryland, United States

(4)Father: John Waters Sr

(5)Mother: Pat Waters

(6)Sister: Steve Waters, Trish Waters, Kathy Waters

(7)Brother: Not Available

(8)Marital Status: Unmarried

(9)Profession: Director

(10)Birth Sign: Not Available

(11)Nationality: American

(12)Religion: Not Available

(13)Height:  6’2″ (188 cm), 6’2″ Males

(14)School: Not Available

(15)Highest Qualifications: Not Available

(16)Hobbies: Not Available

(17)Address: Baltimore, Maryland, United States

(18)Contact Number: Not Available

(19)Email ID: Not Available




(23)Youtube Channel:

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