How to contact K. Viswanath? K. Viswanath Contact Address, Email ID, Website, Phone Number
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K. Viswanath was born on 19 February 1930, in Guntur, Andhra Pradesh. He was born to Kasinadhuni Saraswathy and Kasinadhuni Subramanyam. His surname is Kasinadhuni, and his given name is Viswanath. Viswanath graduated from Guntur Hindu College with an Intermediate diploma and a Bachelor of Science degree from Andhra Christian College of Andhra University.
Kasinadhuni Jayalakshmi is Viswanath’s wife. Viswanath is cousins with actor Chandra Mohan and late singer S. P. Balasubrahmanyam.
He started his career as a sound recordist at Madras’ Vauhini Studios, where his father worked. He apprenticed there under the supervision of A Krishnan, Vauhini’s Head of Sound Engineering. Vishwanath and A Krishnan formed a close relationship, and when the former started directing films, he would often bounce ideas off the latter. Vishwanath began his career as a director at Annapurna Pictures, where he worked with Adurthi Subba Rao and K. Ramnoth. He aspired to serve as an assistant to Bapu and director K. Balachander.
The Telugu film Aatma Gowravam, which won the Nandi Award for Best Feature Film of the Year, marked Viswanath’s debut as a director. Viswanath followed it up with the women-centric dramas Chelleli Kapuram, Sarada, O Seeta Katha, and Jeevana Jyoti. The creative touch in his craft first became apparent in Siri Siri Muvva.
The neglect of traditional Indian music under the increasing influence of western music is highlighted by Sankarabharanam. Towards the end of the film, the grandeur of Carnatic music, the classic South Indian music, is revealed. In his study of South Indian music history, Bhaskaran, a media and film scholar from Chennai, has recorded how Sankarabharanam played a significant role in the revival of Carnatic music. The film set a number of box office records by staying in theaters for over a year. C. S. H. N. Murthy, a media and film studies scholar from India, has shown how Viswanath’s filmography encompasses a wide spectrum of characters, including mentally and physically challenged subjects, in a recent study published in the Journal of Dance, Movements & Spiritualities published by “Intellect Group” of the United Kingdom.
C. S. H. N. Murthy, a film scholar, claims Viswanath’s films have a route to inclusiveness, impacting meaningful spiritual transformation on both personal and social levels. Murthy sought to deliver contemporary and postmodern elements in Viswanath’s films by situating the content in the broad arena of de-westernizing media studies, through immersive and culturally rooted viewpoints.
“Poornodaya Movie Creations,” founded by Edida Nageswara Rao, inspired Viswanath to create aesthetic films. Sankarabharanam, Swatimutyam, Saagarasangamam, Sutradharulu, and Aapadbandhavudu are just a few of Viswanath’s films that Poornodaya has made. The bulk of these movies were translated into Russian and shown at the Moscow Film Festival.
Sargam (1979), Kaamchor (1982), Shubh Kaamna (1983), Jaag Utha Insan (1984), Sur Sangam (1985), Sanjog (1985), Eeshwar (1989), Sangeet (1992), and Dhanwaan (1992) are some of Viswanath’s Hindi language films (1993). Any of these films have been huge box office successes.
Viswanath made his acting debut in the Telugu film Subha Sankalpam in 1995. He has played supporting roles in films such as Vajram (1995), Kalisundam Raa (2000), Narasimha Naidu (2001), Nuvvu Leka Nenu Lenu (2002), Santosham (2002), Seema Simham (2002), Tagore (2003), Lakshmi Narasimha (2004), Swarabhishekam (2004), Aadavari Matalaku Arthale Verule (2007), Athadu (2005), (2012). Kuruthipunal (1995), Mugavaree (1999), Kakkai Siraginilae (2000), Bagavathi (2002), Pudhiya Geethai (2003), Yaaradi Nee Mohini (2008), Rajapattai (2011), Singam II (2013), Lingaa (2014), and Uttama Villain (2014) are among his Tamil roles (2015).
Viswanath has also appeared in a few television shows, including SVBC TV’s Siva Narayna Teertha, Sun TV’s Chellamey, and Vendhar TV’s Suryiavamsam. He also endorses brands like GRT Jewellers and stars in advertisements on tv.
Five National Film Awards, six state Nandi Awards, ten Filmfare Awards South, and a Bollywood Filmfare Award have been bestowed upon him. Viswanath has directed fifty-three feature films in a number of genres over the course of his sixty-year career, including films on performing arts, visual arts, and aesthetics.
Viswanath’s work has gained critical acclaim, and he is known for fusing parallel cinema with modern commercial cinema. Viswanath’s filmography is known for using the liberal arts platform to discuss problems such as race, color, disability, gender inequality, sexism, alcoholism, and socio-economic struggles. In 1981, he was awarded the “Prize of the Public” at the “Besançon Film Festival of France.”
His directorial works, which are created by Poornodaya Movie Creations, were screened at the Moscow International Film Festival and received special recognition; these films were translated into Russian and theatrically released in Moscow. For his contributions to the field of arts, he received the Raghupathi Venkaiah Award from the state of Andhra Pradesh in 1992, as well as the civilian distinction Padma Shri. At the 64th National Film Awards, he received the Dadasaheb Phalke Trophy, India’s highest film honor.
(1)Full Name: K. Viswanath
(3)Born: 19 February 1930, Guntur, Andhra Pradesh
(4)Father: Kasinadhuni Subramanyam
(5)Mother: Kasinadhuni Saraswathy
(6)Sister: Not Available
(7)Brother: Not Available
(8)Marital Status: Married
(9)Profession: Director, Actor, Screenwriter
(10)Birth Sign: Pisces
(12)Religion: Not Available
(14)School: Not Available
(15)Highest Qualifications: Not Available
(16)Hobbies: Not Available
(17)Address: Guntur, Andhra Pradesh
(18)Contact Number: Not Available
(19)Email ID: Not Available
(20)Facebook: Not Available
(21)Twitter: Not Available
(22)Instagram: Not Available
(23)Youtube Channel: Not Available