George Lucas Contact Address, Phone Number, Whatsapp Number, Fanmail Address, Email ID, Website

George Lucas Fan Mail Address

How to contact George Lucas ? George Lucas Contact Address, Email ID, Website, Phone Number, Fanmail Address


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He is also known by his full name of George Walton Lucas Jr., who was born on May 14, 1944 in Modesto, California, United States. He is an American motion-picture director, producer, and screenwriter who has directed some of the most successful films in history.

Lucas was the son of a small-town stationer and a mother who was frequently hospitalised for extended periods of time due to illness. He was an early reader of classic adventure stories such as Daniel Defoe’s Robinson Crusoe and Robert Louis Stevenson’s Treasure Island, an avid collector of comic books, and an avid student of history. While in high school, he developed an interest in filmmaking. As a youth, he was also a motor-racing enthusiast, but a near-fatal vehicle accident at the age of 18 forced him to give up the sport.


Haskell Wexler, a cinematographer, urged Lucas to pursue a career in filmmaking. Lucas graduated with a bachelor’s degree from the University of Southern California’s film school in Los Angeles in 1966. At the time, Lucas was exposed to the work of Japanese filmmaker Kurosawa Akira by his future classmate John Milius, who would go on to have a significant effect on Lucas’s career. His student films have received widespread recognition, notably the future tale Electronic Labyrinth THX 1138 4EB, which won the National Student Film Festival’s top award in 1965. In 1967, he completed a six-month internship at Warner Brothers, where he worked with Francis Ford Coppola on the film Finian’s Rainbow (1968).

Later, he documented the making-of of Coppola’s film The Rain People, which he directed himself (1969). Lucas also worked on the Albert and David Maysles and Charlotte Zwerin-directed documentary Gimme Shelter (1970), which was about the violent Rolling Stones performance at the 1969 Altamont Festival.

Lucas was contracted by Warner Brothers–Seven Arts to direct a feature-length adaptation of his award-winning student film, with Coppola executive producing and Robert Duvall and Maggie McOmie acting as the illicit lovers. In spite of its clear homage to George Orwell’s classic Nineteen Eighty-four and its too ponderous pace, THX 1138 (1971) received mostly positive reviews upon its premiere. It is a dystopian fiction about a robotized and dehumanised civilization in the far future. The picture was also one of the first produced by Coppola’s American Zoetrope company, which would go on to produce some of the most iconic films of the 1970s and 1980s.

In 1971, Lucas founded the production business Lucasfilm Ltd., which grew to include a variety of departments, notably Industrial Light & Magic (ILM), which was considered as the most prominent special-effects workshop in American cinema history when it was created in 1975. In 1973, he directed his second feature picture, American Graffiti, a sympathetic depiction of teenage American life in the early 1960s that was a surprising hit at the box office and evocative of his own time as a hot-rodding fanatic in Modesto, California.

American Graffiti, which was shot in less than a month for well under a million dollars, went on to become one of the highest grossing films of the decade—and, thanks to its modest cast of newcomers (which included Richard Dreyfuss, former child star Ron Howard, and Harrison Ford in a small role), it may have been one of the most profitable as well.

Because of the popularity of American Graffiti, Lucas was able to fund a project that had been on his mind for quite some time. Science fiction has typically been a poor performer at the box office, with just a few notable instances such as Planet of the Apes (1968) and 2001: A Space Odyssey (1968) serving as exceptions to the trend. Nevertheless, in Star Wars (1977), for which he also served as director and writer, Lucas shunned the high-tech dystopian allegory that was then popular in science fiction films in favour of a space opera that was merged with old-fashioned Hollywood swashbucklers and western adventures. The film is a space opera set “a long time ago in a galaxy far, far away,” and it centres on Luke Skywalker (played by Mark Hamill), a young man who finds himself engaged in an interplanetary battle between an authoritarian empire and rebel forces.

Skywalker, his mentor, the wise Jedi Knight Obi-Wan Kenobi (Sir Alec Guinness), and the opportunistic smuggler Han Solo (Ford) are tasked with rescuing Princess Leia (Carrie Fisher) from captivity on the Death Star, a massive space station commanded by the menacing Darth Vader, whose deep, mechanically augmented voice (contributed by James Earl Jones) became instantly iconic. The Jedi Knights—a group of either benevolent or malevolent warriors who harness and manipulate the Force, an all-pervasive spiritual essence that maintains a balance between the forces of good and evil—and Skywalker’s quest to become one of them are at the heart of the film and the series it launched.

Star Wars, which drew largely on the theories of mythographer Joseph Campbell as well as the plot of Akira Kurosawa’s Kakushi-toride no san-akunin (1958; The Hidden Fortress), was an instant hit when it was released and went on to become the highest-grossing film of all time. It was the first of Lucas’ films to be created with a large budget, which he was able to increase by filming on soundstages in England, which was at the time far less costly than Hollywood. The success of the picture produced a slew of other science-fiction films that used the same special-effects technology created at ILM that were so successful in Star Wars.

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Lucas stated his desire to retire from filmmaking after the release of Star Wars, and to turn Lucasfilm into an incubator for films to be made by others under his guidance. He did, however, say that he could see himself returning to directing “around 20 years from now,” maybe at the conclusion of the production schedule for an ambitious series that would be spawned by the success of the first Star Wars picture. Star Wars: The Empire Strikes Back (1980) and Return of the Jedi (1983) were the other two films in the Star Wars franchise in which Lucas was an executive producer (1983).

In addition, he invented the iconic character of the daring archaeologist Indiana Jones, who was portrayed by Harrison Ford in a series of films, the first of which was Raiders of the Lost Ark (1981), directed by Steven Spielberg and with Lucas serving as executive producer. As a producer solely during the 1980s and much of the 1990s, Lucas had a few small triumphs (Willow, 1988) and a few catastrophic disasters (Willow, 1990). (Howard the Duck, 1986). By working as executive producer on Kurosawa’s Kagemusha, he was able to realise a long-held dream (1980).

The Young Indiana Jones Chronicles (1992–93), based on the exploits of Jones as a kid and adolescent in the early twentieth century, was produced by Lucas. Although the series was a ratings failure, it provided Lucas and ILM with the opportunity to experiment with new special effects methods. In 1997, he updated the Star Wars films with computer-generated graphics and rereleased them to critical and commercial acclaim, albeit reviewers were less enthused.

Star Wars: Episode I—The Phantom Menace (1999), the first episode in a prequel trilogy about the young Jedi warrior Anakin Skywalker, was one of the most anticipated films of the decade as a result of the success of those two films. Exactly as he had predicted in 1977, Lucas returned to the director’s chair for the first time in more than two decades for that picture, which got mixed reviews but grossed massive revenues.

Star Wars: Episode II—Attack of the Clones (2002) and Star Wars: Episode III—Revenge of the Sith (2005) followed, with Lucas serving as executive producer on both films. The fourth Indiana Jones film, Indiana Jones and the Kingdom of the Crystal Skull (2008), was directed by Steven Spielberg. Lucas developed two animated television shows, Star Wars: Clone Wars (2003–05) and Star Wars: The Clone Wars (2008–13), all of which were shown on Disney Channel. Later, he was executive producer of the Tuskegee Airmen biopic Red Tails (2012), which was his first film in nearly two decades that was not affiliated with either the Star Wars or Indiana Jones franchises. It was also his first film in nearly two decades that was not affiliated with either the Star Wars or Indiana Jones franchises.


George Lucas Fan Mail address:

George Lucas
Skywalker Ranch
5858 Lucas Valley Rd.
Nicasio, CA 94946

(1)Full Name: George Walton Lucas Jr.

(2)Nickname: George Lucas

(3)Born: 14 May 1944 (age 77 years) Modesto, California, United States

(4)Father: George Walton Lucas Sr.

(5)Mother: Dorothy Ellinore Bomberger

(6)Sister: Wendy Lucas, Kathleen Lucas, Ann Lucas

(7)Brother: Not Available

(8)Marital Status: Married

(9)Profession: Film Director

(10)Birth Sign: Taurus

(11)Nationality: American

(12)Religion: Not Available

(13)Height: 1.68 m

(14)School: The University of Southern California film school

(15)Highest Qualifications: Not Available

(16)Hobbies: Not Available

(17)Address: Modesto, California, United States

(18)Contact Number: (415) 662-1800

(19)Email ID: Not Available

(20)Facebook: Not Available


(22)Instagram: Not Available

(23)Youtube Channel: Not Available

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