How to contact Mark Lindsay? Mark Lindsay’s Contact Address, Email ID, Website, Phone Number, Fanmail Address
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Today I will tell you about HOW TO CONTACT MARK LINDSAY.
Mark Lindsay is a well-known American musician born on March 9, 1942. He is most known for his time as the lead vocalist of Paul Revere & the Raiders. Lindsay was the second of eight children born to her parents, George Lindsay and Esther Ellis Lindsay. She was born in Eugene, Oregon. When he was a child, his family uprooted and relocated to Idaho, where he eventually graduated from Wilder High School.
When Lindsay was 15, she started playing with small bands that performed at local venues. After first placing in a neighborhood singing competition, he was invited to join Freddy Chapman and the Idaho Playboys as a singer. Lindsay saw the remaining band members and a new addition, Paul Revere Dick, performing in a local I.O.O.F. Hall after Chapman had moved away from the region.
He convinced the band to let him perform a couple of songs with them. The next day, while working at McClure Bakery in Caldwell, Idaho, Paul Revere stopped by to purchase some supplies for his hamburger business. It was a happy accident that led to the beginning of their working partnership. Lindsay eventually became the band’s primary vocalist and saxophone player, along with Revere and a few other musicians.
He proposed that they rename themselves “The Downbeats” after a magazine of the same name. In 1960, they recorded several demo recordings in Boise, Idaho, and soon after acquired a contract with a record label known as Gardena Records. The song “Like Long Hair,” an instrumental featuring piano and guitar, became the band’s first top 40 success in the United States on April 17, 1961, and peaked at No. 38 on the Billboard charts.
After making a few more personnel adjustments, the band eventually recorded the song “Louie, Louie” around the same time as its competitors from the Pacific Northwest, The Kingsmen, recorded the same tune. The version performed by the Kingsmen was the one that charted nationwide, but Mark and the other members of his band were also getting noticed.
Around the same time they were recording “Louie, Louie,” they came up with the idea to use the name Paul Revere as a gimmick and label themselves as “Paul Revere & the Raiders.” They started dressing in clothing reminiscent of those worn during the American Revolution. Mark Lindsay took the concept a step further by letting his hair grow out and then pulling it back into a ponytail, which would later become his recognizable characteristic appearance.
Dick Clark, creating an afternoon program for the adolescent market called Where the Action Is, saw Lindsay and the group and became interested in them. Clark decided to make the band his regular entertainment, which led to the band’s meteoric rise to fame and fortune. He immediately became one of the most prominent American adolescent idols of the 1960s because of his outstanding singing voice, which contributed to Lindsay’s enormous popularity and his slight build and attractive looks.
Soon after joining the band, Lindsay began working as the group’s vocalist, writer, and producer of their music. The Raiders were the first rock band to be signed by Columbia Records. Terry Melcher, the son of Doris Day Melcher, an actress, and singer, produced the band’s music. After getting to know one other, Lindsay and Melcher roomed together for a period.
Later on, the mansion became notorious for being the location of the gruesome killings of actress Sharon Tate and others, carried out by members of Charles Manson’s so-called “family.”1968 Lindsay had already taken over the group’s writing and production duties. Paul Revere and the Raiders had a cast of band members that changed often, with just Revere and Lindsay staying with the band from the beginning until now.
It was no longer possible to see Where the Action Is on television. Happening ’68 was another program that Dick Clark had planned. Revere and Lindsay would be the show’s hosts, and it would showcase the band. In contrast to Where the Action Is, in which the band was only one component of a larger ensemble of musical artists, in this presentation, the band was given a significant amount of screen time on its own. The first episode of Happening ’68 aired in January of that year.
The trio also presented a daily version of the program throughout the summer of 1968 under the name It’s Happening since the show was so well received. Happening ’68 continued airing into 1969 when the program was simply called Happening. The program was pulled off the air in October of 1969. At this point, Mark Lindsay and the other members of his band, along with many different bands, were working hard to keep up with their success while also looking into additional prospects.
Lindsay started recording solo albums and produced songs for his bandmate Freddy Weller, who succeeded as a solo artist in the country music genre. Freddy Weller went on to have his solo success. Lindsay’s song “Arizona,” which peaked at #10 on the Billboard Hot 100 in 1969 and sold more than one million copies, earned her a gold disc. 1970 “Silver Bird” peaked at #25 on the Billboard Hot 100.
Don Fardon had success with the song “Indian Reservation” back in the day, and John Loudermilk was the one who wrote it. Lindsay covered it, and it became a top 20 smash on the Hot 100. It was supposed to be a solo recording for Lindsay. Still, for marketing, it was decided to release the song under the simple band name of “Raiders,” with Lindsay & Revere featuring on the track along with L.A. session musicians from the Wrecking Crew. Initially, the recording was supposed to be a solo effort for Lindsay.
By the middle of the seventies, the band was no longer selling as many albums as they had in the past, and as a result, both Lindsay and the Raiders were released from their contracts with Columbia. In 1975, Lindsay decided to formally leave the band since he and Paul Revere seemed to have conflicting goals and aspirations for the band and their separate endeavors. However, he made a few more appearances in 1976 for some Bicentennial events, and in 1977, Dick Clark organized a reunion with his Action period colleagues so that he could play with them again.
After releasing a few more solo singles over a few years (for Warner Bros., Elka, and Greedy Records), Lindsay eventually retired from singing to take on the role of head of A&R at United Artists Records. He contributed to the records of several different performers, including Gerry Rafferty (on “Baker Street”), Kenny Rogers, and others. In addition, he composed jingles for many advertisements, such as those for Baskin-Robbins, Datsun, Kodak, Pontiac, and Levi’s, as well as soundtracks for various films.
He provided both his voice and his musical compositions to advertising for firms such as Yamaha, which utilized the music from “Silver Bird” as the backdrop to one of their commercials. He also donated his musical arrangements to adverts for other companies. In addition, he was the composer of the scores for the films For Pete’s Sake and The Love Machine, which were performed by Barbra Streisand and Dionne Warwick, respectively. He also created the score for the documentary The Killing of America, released in 1982, and wrote a song for the film Savage Streets.
In 1980, he provided a voiceover and, together with W. Michael Lewis, contributed to the composition of the musical soundtrack for the American adaptation of the Japanese film Shogun Assassin. In 1985, Lindsay made a few public appearances in connection with the centenary of the Statue of Liberty. He also participated in the Legends for Liberty tour, which the sixties rock band Spirit supported, and he restarted his solo touring career.
In 1989, he started secretly recording at Kiva Studios in Memphis, Tennessee (which is now known as House of Blues Studios of Memphis), together with his buddy Michael Bradley. Even though the album Looking for Shelter was not purchased for distribution on a broader scale, Lindsay made the album accessible to fans on his website in 2003. During one of his tours in the early nineties, he met with the band The Chesterfield Kings in Rochester, New York. Subsequently, he worked together with this band.
The year 1996 saw the release of Lindsay’s next official solo album, titled Video Dreams. This attempt was well accepted, and as a result, Lindsay started a traveling schedule that was even more hectic. The record that eventually became Video Dreams was conceived as a duet effort with Carla Olson. Before that, Lindsay and Olson collaborated on the song “Ups and Downs,” featured on Lindsay’s album “Reap the Whirlwind” from 1994.
Mark Lindsay Fan Mail address:
Olson collaborated with Lindsay to co-produce the first recording sessions and recruited Danny Federici and Eric Johnson to play in the band. She also contributed songs written by two of her close friends, Scott Kempner of the Del-Lords and Michael Nold. Due to a dispute on the album’s overall direction, Lindsay decided to release it as a solo effort. However, the track listing stayed the same, and she only included one song on the album that she had yet to record with Olson.
He had said in 2003 that he would retire from touring, but he changed his mind later. The tape of his first “farewell” concert was made available to the public in 2004 under The Last Midnight Ride. He is now involved in some touring, but beginning on January 7, 2006, he could be heard on a webcast called “Mark After Dark,” which aired every Saturday night from 7:00 p.m. to 12:00 a.m. Pacific Standard Time on the website of KISN radio.
“Mark After Dark” began airing on the FM webcast “K-Hits 106-7” on KLTH on Saturday evenings from 7:00 p.m. to 11:00 p.m. Pacific Standard Time on November 11, 2006. The show, formerly known as “Mark After Dark,” was rebranded as “Mark Lindsay’s Rock & Roll Cafe” on March 10, 2007, about Lindsay’s restaurant, which had its grand opening for the general public on August 27, 2007, in Portland, Oregon.
The restaurant was equipped with a remote studio, in which Lindsay hosted his radio program in front of the establishment’s patrons. This studio was visible from the street as well as the sidewalk. Other K-Hits radio hosts and personalities also used the studio on occasion. On September 21, 2007, a federal complaint was filed against the new restaurant for the business’s purportedly unlawful use of numerous trademarks held by the Yaw family, who had run Yaw’s Top Notch Restaurants in the Portland area for many years. The Yaw family had filed a case against the new restaurant because the new restaurant allegedly used the trademarks without permission.
(2) Nickname: Mark Lindsay
(3) Born: 9 March 1942 (age 81 years), Eugene, Oregon, United States
(4) Father: Not Available
(5) Mother: Not Available
(6) Sister: Not Available
(7) Brother: Not Available
(8) Marital Status: Married
(9) Profession: Musician, Singer, Actor, Film Score Composer
(10) Birth Sign: Pisces
(11) Nationality: American
(12) Religion: Not Available
(13) Height: 1.9 m
(14) School: Not Available
(15) Highest Qualifications: Not Available
(16) Hobbies: Not Available
(17) Address: Eugene, Oregon, United States
(18) Contact Number: Not Available
(19) Email ID: Not Available
(20) Facebook: https://www.facebook.com/OfficialMarkLindsayPage/
(21) Twitter: https://twitter.com/MarkLindsay
(22) Instagram: Not Available
(23) Youtube Channel: Not Available